Last year's The Elder Scrolls 4: Oblivion Remastered did a lot more than slap a fresh coat of paint on the 2006 RPG, with environments (but not necessarily character models) that look straight out of a 2026 AAA release, but as anyone who's played the original game knows, it's still very much Oblivion, lovable jank and all. While there was a lot of deliberation about what and what not to modernize during development, Todd Howard and co. drew a hard line between remaster and full-blown remake, opting to market the game as a polished-up version of the original rather than something all new.

That's because, in the words of associate art director Dan Lee, it shares the same "bones" as the original Oblivion. "Obviously the art is remake territory, it was all remade," Lee tells Nintendo Life. "But it really came down to Todd's perception of - well, the core bones are still the original game. So it's disingenuous to call it a remake. We're taking the core engine and then laying all this other stuff on top. We did some other little tweaks and things like that. But the core is still mostly there."

You might think the distinction between remaster and remake is fairly straightforward, and to some degree it is, but since there's such a wide spectrum between straight-up ports and ground-up remakes, the lines can be a little fuzzy and lead to all sorts of controversy when it comes to pricing and availability alongside the originals. On the other hand, there are remakes that are so different from their original counterparts as to be virtually considered separate games, leaving zero ambiguity about how to label them.

"There are all kinds of games that fit on the scale where it's just high resolution and then maybe they upgrade some of the textures or update some character models," adds Lee. "But then you can go all the way over to Resident Evil 2 and Final Fantasy 7 Remake, which are clearly remakes. They're taking the original vision and then just making completely new games based on that vision. Whereas here, we have lots of elements of the original game intact."

I think Bethesda made the right call sticking to remastering Oblivion rather than remaking it. Both Oblivion and Oblivion Remastered are gorgeous games and, with a remake, the studio would've likely had to reallocate resources from The Elder Scrolls 6, which was announced eight long years ago. No distractions, is what I'm saying.

Oblivion intern tried to outsmart Bethesda's AI and was stunned when his apple murder strategy actually worked: "I can't believe you accounted for this"

Payday-in-Fortnite isn't the day's only big news out of everybody's favorite violent clowns rob banks franchise. Starbreeze, in partnership with Vice Studios, has also done a deal with Curtis "50 Cent" Jackson's G-Unit Film and Television to "executive produce" an adaptation of Payday.

What sort of adaptation is being made—that is, television or movie—isn't specified. The deal between Starbreeze and Vice, announced in March, says only that the two will "adapt Payday for audiences beyond games, across screen and other formats," and that's the case in today's announcement, too.

"G-Unit Film and TV has built cinematic crime stories that connect with audiences around the world," said the man they call Fiddy (do they still call him that?). "Teaming up with Starbreeze and Vice Studios and bringing the world of Payday to the screen gives us the chance to build something big, a high-energy franchise that pushes the heist genre forward."

"Payday has always been about the fantasy of getting away with it," Starbreeze CEO Adolf Kristjansson said. "Curtis and G-Unit don't do subtle, and neither do we. This is not about playing it safe; it's about doing the franchise justice with people who are as immersed in the world as we are."

If there's one thing I've learned from Michael Mann, it's that capping off your bank robbery with a running firefight against heavily armed cops is not a good idea, so I'm not sure how that "getting away with it" analogy really holds up here. Jackson does seem well suited to the task, though: His debut album is called Get Rich or Die Tryin' and its followup was The Massacre, so if nothing else at least he's got the right mindset.

He also appeared with Val Kilmer at the 2009 American Music Awards, for some reason.

Also unclear is how this jibes with Starbreeze's 2023 deal with production company Stockholm Syndrome "to develop a Payday story for TV or film." That isn't mentioned in today's announcement, so whether this new deal follows onto that one somehow or supersedes it entirely, I do not know—I've reached out to Starbreeze to ask, and will update if I receive a reply.