When I open up a trailer for a parkour game, I expect breakbeats or bassy electronica. You know, something radical—Vholume zigs where other games zag, scoring its run 'em up action with dejected, atmospheric synths punctuated by lonely footsteps and effortful grunts. A self-billed "melancholic first-person parkour adventure," it looks like the moody stepchild of Mirror's Edge.

A new trailer for the game dropped last month and revealed it comes out Aug. 21. It provides a sneak peek at the game's overgrown, brutalist jungle gyms and shows off Vholume's multiplayer. According to its Steam page, you can race your buds in real time or compete against their ghosts. It seems ambitious given that just three people are credited as developers on Steam, one of whom you may recognize as one of the Lemaitre Bros. behind Straftat. We called that game 2024's best FPS, and its music is, in fact, radical.

I hear the kids are really into liminality these days, so Vholume's dystopian dream world should appeal to anyone who saw Backrooms and felt like, for the first time in a long time, they were right where they were supposed to be. It also honors the parkour game tradition of being overtly anti-authoritarian, centering a plot where the protagonist has to get "ration tickets" for his family.

A cliche? Maybe, but parkour platforming is kind of the perfect setup for dystopian themes: why bust out of a cage if you're not going to run, jump, and be free? Living in America's contemporary car-centric world, I sometimes long to leap from rooftop to rooftop just so I can be somewhere without filling up on gas. I can't wallrun or strafe jump, though, so videogames will have to do.

And it's a great time for that sort of thing, as there are plenty of other Mirror's Edge-likes on the horizon. If Vholume has piqued your interest, you can try a demo out on its Steam page.

At this year's QuakeCon in Gaylord, Texas, a number of id Software's OGs and founders are in attendance for a retrospective talk and reunion, and it looks like legendary programmer John Carmack took some time to refamiliarize himself with the reason for the season.

"I sat down to try the Evercade Doom port, and before I knew it, I was on level four, and realizing that I had forgotten where all the keycards were," Carmack wrote on X, "The Everything App." "It wound up taking me 15 minutes each on level four and five. Still a great game after all these years!"

It certainly sounds like Carmack's a little rusty: E1M4 and M5 have par times of 1:30 and 2:45 respectively. I'm always curious to see how developers relate to their own games, especially a Criterion classic like Doom decades down the line. Carmack's fellow John, Romero, is still very much "Knee Deep in the Dead," as it were, creating the Sigil expansions and even giving the one-of-a-kind MyHouse.wad a try on stream.

I've always been slightly shaken by Larian honcho Swen Vincke's admission that he's never revisited Ultima 7⁠—one of his favorite games and primary inspirations⁠—because he knows it wouldn't stand up to his memories from the '90s. In the same conversation, Vincke told me that he spends so much time immersed in and testing Larian's games during development, he hardly touches them after launch.

Couldn't be me: I compulsively replay all my favorites to the point that it's a problem. I have to agree with Carmack: The original Doom really has held up after all these years.